Aplscruf's Music Blog

Flight to Mars at the Showbox Tonight! May 21, 2016

 

Once again, it’s time for Flight To Mars! See my 2011 post below. It’s gonna ROCK. For a good cause, too.

Aplscruf's Music Blog

Tim DiJulio and Mike McCready

Friday, April 8, 2011

The Showbox at the Market

Seattle, WA

The Flight to Mars show on Friday, April 8 at The Showbox was the kind of loud that reverberates in the chest cavity and rings in the ears hours later. It was a two-fisted-devil-horn evening; too much RAWK for one hand!

Flight to Mars, a UFO tribute band, features Pearl Jam’s Mike McCready (guitar), Paul Passereli (lead vocals), Tim DiJulio (guitar), Mike Musburger (drums), Gary Westlake (bass), and Ty Bailie (keys). The show was the the 9th annual benefit for the Crohn’s and Colititis Foundation of America (CCFA). Up to this point, the benefit concerts have earned a total of almost $200,000 for the Foundation.  Some of the proceeds also benefit Camp Oasis, for kids with Crohn’s and Colitis.  The show was also being broadcast live on Sirius’ Pearl Jam Radio. …

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May 21, 2016 Posted by | 2016, Flight to Mars, Seattle Rock, The Showbox | , , , , , , | Leave a comment

Richmond Fontaine’s Swan Song in Seattle

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Richmond Fontaine played a final show in Seattle at The Sunset on May 14, 2016. L-R: Dan Eccles (guitar), Willy Vlautin (vocals, guitar), Freddy Trujillo (bass), Sean Oldham (drums). Photo Credit: Alicia Rose

It was a night full of contradictions. I’d never heard of Richmond Fontaine until just a few months ago. The Portland band have been around over 20 years. Last Saturday, they played a final show in Seattle. I’m now a new fan of a band that is breaking up. Great. I’m late to the party–er, funeral once again.

I witnessed a band’s wake before–Seattle’s North Twin, who delivered their own coup de grace just down the street at The Tractor about six years ago. I prefer it that way; at least there’s some closure. The death of Richmond Fontaine will be prolonged a few more months; but here in Seattle, they celebrated their long life surrounded by friends and musical family. There will be at least one more show in Oregon, and an Ireland/UK farewell tour in October before they pull the plug. They’re ending amicably and leaving us with a parting gift: a fantastic new album fittingly titled You Can’t Go Back If There’s Nothing To Go Back To.

I binge-listened to RF’s albums over the last few weeks, trying to catch up before we hit the show. Frontman and acclaimed author Willy Vlautin‘s lyrics paint desolate pictures of the downtrodden, lonely, broke, the unlucky, the abandoned–the outcasts of society. Tales of addiction, break-ups, desperation, and downward spirals are common themes throughout the ten albums. Some characters are likable losers who were dealt a bad hand in life or have paid dearly for their bad choices. But there is also a feeling, just a glimmer, a hint, that once in a while, one of those effed-up kids he writes and sings about is going to be alright. Each day that I listened, I always circled back to their latest  release, the thirteen songs on You Can’t Go Back If There’s Nothing To Go Back To. It’s depressing as hell at times, and yet I wanted to hear it again and again. I connected and empathized with the characters. The up-tempo melodies of some of the songs offset the melancholy lyrics. Balance.

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Willy Vlautin – Illustration by Nate Beaty

I also read Willy Vlautin’s first of four books called The Motel Life. Although the heartbreaking story and sympathetic characters absolutely gutted me, I wanted to read more and was sad that it had to end. I plan on purchasing the rest of his books. Feel free to do the same here: http://willyvlautin.com/store/ Rumor has it, his fifth book is in the works. According to Willy, when his personal life is falling apart, he writes songs. When he’s healthy, out jogging, he’s probably writing a book. Strangely, I had his name and the book’s title in my phone under “Books to Read” for a year–a strong recommendation from my friend Kari, artist and loving partner of David Corley, who also spent time with Willy and Co. in Ireland. I never made the connection until just recently.

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Be sure to purchase their merch!

I also was told by a friend, Oliver Gray (who is mentioned in the liner notes of at least one of RF’s albums), that Willy’s books must be read in order of publication. Oliver is not only a superfan, but a venue owner, promoter, music critic, and author. He has hosted RF shows in England for many years (RF has a huge cult following in The UK and Ireland) and befriended the band in the process. I just met Oliver in person while we were on holiday near London in April, just days before I found out about RF’s show date in Seattle.

One thing I love about live music is how it brings strangers together, bonding over the common love of a band. I made another new friend after I announced on Facebook I was attending this show. Allison, a superfan from Canada, traveled to Seattle with her husband Tony, and we met up at Hattie’s Hat for a chat beforehand. We have several mutual, music-loving friends, so it was only natural that we should eventually meet and instantly bond (while our patient husbands sat idly by). Although she’s been a fan for years, she had never seen RF in person, so she was thrilled to experience this final show.

The day of the show was dark, gloomy, and rainy–so contradictory to the blue-sky day before, which sizzled Seattle with record-breaking temperatures.

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We made our way to the very front of the stage, right after the doors opened. There is nothing like standing in the front row of an intimate venue. I love watching the band, up close and personal. I like catching their nuances: the onstage banter and inside jokes; a grimace while hitting a big chord; a tapping foot; a sly, knowing smile when a rare wrong note is hit; nimble fingers finding the frets; glances and nods when things are going well. RF was no exception. One could tell they have a healthy, brotherly bond with each other, even though their band was on its way out.

If they love each other so much, why are they breaking up? Read and listen to Willy Vlautin’s answers here:

Willy Vlautin was interviewed recently by Casey Jarman of Portland Monthly : http://www.pdxmonthly.com/articles/2016/4/15/willy-vlautin-on-richmond-fontaine-s-farewell-and-the-price-of-living-hard

While in Ireland, Willy also spoke with Martin Bridgeman on a radio broadcast regarding the breakup, the new album, and the crafting of his songs and stories: http://kclr96fm.com/folkroots-interview-willy-vlautin-152016/

The mature audience knew their band and were there to give them a final sendoff with support and love. Although I was a newbie here, I still felt accepted and comfortable among them. It was fun to watch the crowd, too, as many sang along with Willy or nodded their heads in acknowledgement to a song, and loudly clapped and whooped after each one.

Richmond Fontaine began the set with my favorite song off their new album called “Wake Up Ray”. Here is a live version from Oregon Public Broadcasting:

Willy’s lyrics tear at my heart:

Wake Up Ray

It ain’t no use, ain’t no use
Maybe some guys just ain’t meant to
I was living in Montana once and I was married
For a while it rolled so easy
But she got to where she couldn’t stand our place
She got to where she cringed at the way I slept and ate
I bought her a bird, a finch she called little Joe
And then one night she blew into a rage
In a snowstorm she ran outside and opened up the cage

Wake up Ray let’s get out of here
This town’s done nothing it’s clear but try to do us in

Wake up Ray, the sun’s coming up and still I can’t stop thinking
How can someone you love so much grow against you so?
All I did, all I did was try to toe that line
The same line you see everyone else toe
Now all I remember is running through the snow
Looking for Little Joe as the wind blowed

Wake up Ray, I need a cup of coffee in a bad way
Let’s get out of here this town ain’t done nothing
It’s clear but try to do us in

The Seattle show included most songs from their latest album and also dove into tracks from the last two decades.There were some last-minute changes to the original list, too. Their stage performance was tight, energized and faster-paced than some of their recorded songs–fueled, I’m sure, by the enthusiastic audience. Early on, longtime fans shouted out song requests, and Willy acknowledged a few with a wide-eyed nod, or laughed at their persistence.

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Willy would stop once in a while and explain the origin of a song, such as the dark and ominous “Hallway” from 2003’s Post to Wire. He said he used to meet a friend for breakfast at a cafe, and one day he didn’t show up. Willy went to his house and found the friend in his tighty-whities, hiding in the hall with a gun. Apparently, he was on a coke binge and had been up for three days. “He almost shot me that day. I never met him for breakfast after that.”

“Let’s Hit One More Place” from the new album was dedicated to Scott McCaughey of The Minus 5, who headlined this night. Willy said he’s been a fan of The Minus 5 for 20 years, and channeled Scott when he wrote this song.

“Two Friends Lost At Sea” was based on another true story. One of Willy’s favorite Portland punk bands was Dead Moon. When people are excited about a band, they like to tell their friends. Sometimes, that leads to a wonderful shared experience. Other times, like in Willy’s case, it ruins the band for them. He made the mistake of introducing a girlfriend to the band. Later, she broke up with him. The next time he saw her was at Dead Moon’s show. She was making out with some new guy in the front row. Ruined.

Although he seemed a little shy onstage and mostly sang with his eyes closed, he was very personable, friendly, and humble in the merch line before and after the show. He greeted each fan, listened intently to their stories, and seemed grateful to them for showing up. There’s a self-deprecating charm about him, as if he is genuinely surprised by his fame and the fact that his books and music are treasured by so many people around the world.

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Freddy Trujillo and Willy Vlautin

Dan Eccles on lead guitar, just rocked. He was so entertaining to watch as he grimaced and head-banged through the set, his long hair trying to keep up with the beat. His nimble fingers delicately found each chord on the slower folk songs, but slammed the power chords with a full-body gyration. He had a minimal amount of pedals, but made excellent use of them to alter the sound to match a pedal steel guitar, add some serious fuzz, or the emphasize the twang in his Telecaster.

One of the last rocking songs of the evening, “Lost in The Trees” is from 2011’s The High Country. They also played this song at Kilkenny Roots Festival in early May, and are favorite performers there. Below, you can hear Freddy’s thumping bass, watch Dan shred that Tele, and be amazed at how seemingly effortless Sean is at holding the steady, commanding beat on drums. Willy’s grim lyrics and monotone vocals on this song give it a punk edge.

Near the end, a fan threw a Winner’s Casino (an actual casino and a song from 2002’s Winnemucca) satin baseball-style jacket, up on stage as they played their final song. Willy sported a big grin as he played. They later posed for a photo with the jacket, all smiles. It was a great way to close the night and to find closure with this beloved band.

Like some of Willy Vlautin’s characters in his songs and stories, the band mates are probably going to be alright after the breakup.Willy, Sean Oldham, and Freddy Trujillo are already members of another band called The Delines. Willy is planning to spend some time working on his next book. Dan Eccles also plays in a band with Portland legend Fernando Viciconte.

We can’t go back, but we can look ahead. They’re still with us, just transformed and scattered into new entities.

Bitter and sweet.

____________

Check out Richmond Fontaine’s tour updates for the rest of the year here:  http://richmondfontaine.com/dates

Listen and purchase their music through Bandcamp here: http://richmondfontaine.bandcamp.com/

I also posted a version of this piece to No Depression here: http://nodepression.com/live-review/richmond-fontaines-swan-song-seattle

 

 

 

 

 

 

May 18, 2016 Posted by | 2016, Alt-Country, Americana, Richmond Fontaine, The Sunset Tavern, Willy Vlautin | , , , , , , , , , , | Leave a comment

Todd Snider Sells Out

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Aladdin Theater  Portland, OR

4/30/2016

Todd Snider sometimes tells the tale of when he almost sold out to Garth Brooks who wanted to change the lyrics to one of Todd’s songs, “Alright Guy” and record it on his rock album as alter ego Chris Gaines. The lyrics include the phrase, “maybe I smoke a little dope”, but Todd claims, “not that I do, it just rhymes with Pope.” Garth wanted to change the lyrics to something less, uh, damaging to his career. Todd’s friends told him he shouldn’t sell out, but he was “…already thinking about what kind of car I’d trade that fuckin’ van in for!”

Todd is the king of the yarn, a raggedy raconteur. On this particular evening, he told another Brooks tale about how one of Garth’s writers stole Todd’s song, “Beer Run”, claiming that if you change enough words and the melody, it’s not exactly stealing. So Todd, not wanting to have to get dressed up and go downtown and sit through meetings, had a brilliant idea and came up with his own song entitled, “If Tomorrow Never Comes” and made sure to follow the writer’s advice. Now, Todd can tell the story in much more detail, followed by a rollicking version of the song in question. Fans lined up in front of The Aladdin Theater in Portland know that. All three shows sold out.

Saturday morning rolled around, and I wasn’t in the mood to drive three hours to Portland in heavy traffic. My weekends are piling up, and I was longing for quiet time at home. P purchased tickets weeks ago, though, so that was that. Also, I feared Todd Snider’s solo show wouldn’t hold up to the ones we’ve seen in the past where he was animated and engaged—and so funny. There were rumors circling about his health and how he’s not the same ol’ Todd when he’s in Hard Working Americans, even though the supergroup rocks. I heard he was feeling better, and ready to take on these three nights in his home state.

When we were about to head out the door, I received a call from our friend C who was headed back home after seeing Todd’s second show. He absolutely raved about how Todd was dialed in, was engaged with the crowd, had the audience in stitches with his stories in between songs, and was musically in fine form. Suddenly, I was ready to take on Todd Snider again. Let’s hit the road!

Off we went, running into snags of traffic in Tacoma and near the border, crossing the great bridge that spans The Columbia and into Portland. We inched our way downtown and relied on GPS to find our hotel. After meeting our friend L at Hair of The Dog Brewery (the best brewery in Portland in our not-so-humble opinions), we headed to the show.

We stopped by The Lamp next door to The Aladdin  first and met a few more friends for a bite to eat. I love the Todd Snider culture. Everyone there in the group met at either a Todd show or some other related show, like Widespread Panic, Phish or Grateful Dead, etc. We actually met our friend L in 2009 at a Todd show in Reno.

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We found seats stage right and settled in. The show started after 8 with Rorey Carroll, a beautiful female folk singer with a sultry, ethereal voice and a sailor’s mouth. Todd came out and introduced her, and mentioned he is producing her album. She had a lanky awkwardness about her that was endearing to the audience, who cheered her on throughout her short set. We enjoyed her set, drawn in by her vocals and ballads as she lightly strummed her acoustic guitar. In between songs, she bantered with the crowd. There were many people who attended all three shows, and they were calling for songs near the end and she argued about which ones she was going to play. “Not the murder song!”

After a brief intermission, Todd Snider came out to hearty cheers and started his long set with “In Between Jobs”.

He spoke of his problems with his back and his arthritis, and how he got to the point where he could only sit down to play. He took a couple months to rest and recover and feels better now. It showed in his performance. He was on point–dialed in, as our friend C said. He was chatty and engaging, honest and self-deprecating. He deftly plowed through song after song, with heart and humor. I only heard one bobble with lyrics, and we must give him credit. In one of the first shows I ever saw him play, he’d forgotten the lines to one of his songs and had to stop and back up. “I forgot the words. But think of how many I remembered!” Classic.

Setlist (as listed on Todd Snider’s Facebook Page) with my notes to the right:

In Between Jobs
Happy New Year
[18 Minutes Into]
[Final Night]
In The Beginning
[HWA Church] – Todd spoke of his time as frontman with Hard Working Americans. He said he enjoyed playing with HWA because he could sing a few lines and step away from the mic as they went into some long jam session. He could nod his head and spin around a little, just 10 feet away from what he used to do in the audience anyway, so why not do it on stage?  But fans of his solo work would knock on the tour bus after the show, confused, offended, and upset that he wasn’t up on stage spinnin’ yarns and playing his acoustic guitar: “Is this what you’re doing from now on?” And Todd would respond, “No, this is what I did tonight.”
Greencastle Blues
[The Last Three Nights]
Too Soon To Tell
[The Last Verse…]
Beer Run
[Garth Brooks Story]
If Tomorrow Never Comes
Is This Thing Working
The Last Laugh
Carla
The Devil You Know – After the song was finished, he raised in arms in triumph like a prize fighter and exclaimed, “That song had a lot of words, too!”
Looking For A Job
[Jewett Sucks]
Doublewide Blues – with one of the lyrics changed to “I don’t get out much anymore since terrorism…”
Vinyl Records
Alright Guy – An audience singalong of the chorus ensued
D.B. Cooper – the ballad of the local hero/villain who jumped out of an airplane with a bag of stolen money, never to be seen again
Talkin’ Seattle Grunge Rock Blues – one of the songs which put Todd on the musical map in the 90’s
[Drive-Thru Story]
Stuck On The Corner >
Johnny B. Goode – “Most of my songs are based on this song’s melody…”
[Grateful]
[Jerry Jeff Walker Story] which stretched out to a coked-up evening decades ago where Todd was flopping like a fish outta water on Jerry Jeff’s dining room table. The next morning, Jerry Jeff was standing naked over Todd as he lay on the couch, exclaiming, “Never again, boy, never again.”
Mr. Bojangles -Mr. Bojangles in Santa Fe at 3 am – One of those once-in-a-lifetime magical moments when Todd and Jerry Jeff are out in the middle of nowhere, on a deserted street in Santa Fe, and here’s this kid playing “Mr. Bojangles” on guitar, with a hat on the ground, busking for tips. And here’s Jerry Jeff, the author of the song, soaking it all in. Todd thought twice about telling the kid he’s playing the song that was written by the man standing in front of him. When the busker was finished, Jerry Jeff unloaded his wallet into his hat (well, Todd embellished, I believe, when he said his change, his bills, his credit cards, his car keys…), and they walked away. Of course, Todd then played a tender version of “Mr. Bojangles” in honor of his friend and mentor, Jerry Jeff Walker.
e:
Big Finish
Good News Blues
Freebird – Freebird. Yes, he actually played “Freebird”, without irony, and with heart, to finish the evening. A final prize fighter stance, a smile, and a wave goodbye.

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May 3, 2016 Posted by | 2016, Americana, Folk, Rorey Carroll, Todd Snider | , , , , , | Leave a comment

Get on Board! John Doe is Coming Back to Seattle!

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John Doe, legendary punker/frontman/bassist/vocalist/singer-songwriter/author/actor/Renaissance Man, is coming back to Seattle for a couple of shows. One at Benaroya Hall on May 26 to celebrate Woody Guthrie; and another at my favorite venue, the Tractor Tavern on Wednesday, June 29.

Oh, you know I’ll be there.

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Some dork wanted her picture taken with Mr. Doe. You can imagine her saying, “Holy shit! I’m gettin’ my picture taken with John Doe!” and pointing at him, so people know that’s John on the right…

Here’s my review of his show at The Triple Door last June: http://nodepression.com/live-review/john-doe-reigns-triple-door-seattle-wa

More on the Triple Door show here: https://aplscruf.wordpress.com/2015/06/26/john-doe-reigns-at-the-triple-door-seattle-june-19-2015/

John’s New Book

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Under The Big Black Sun – For more info and to order the book, check his website here: http://www.theejohndoe.com/utbbsbook/

John’s New Album (he’s been busy)

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John Doe’s new album, “The Westerner”

To order his new album, check here: http://www.theejohndoe.com/music/

Read an article in Rolling Stone and stream the album here: http://www.rollingstone.com/music/news/hear-john-does-desert-influenced-new-album-the-westerner-20160422

X is also touring again soon. See all tour dates here: http://www.theejohndoe.com/live/

Here’s my article on X for No Depression: http://nodepression.com/live-review/all-i-want-x-mas

More pics of the X-Mas show: https://aplscruf.wordpress.com/2015/12/19/x-for-xmas/

April 26, 2016 Posted by | 2016, John Doe, X | , , , , | 2 Comments

David Corley’s New EP and Tour

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Cover art and design by Kari Auerbach

David Corley, whose triumphant story is now legendary among the world of independent music, has come back from the dead (literally) to produce a new 2016 EP entitled, appropriately, Lights Out. This EP, again produced by Hugh Christopher Brown, is a follow-up to Available Light, his debut album released near the end of 2014.

Where Available Light was quiet and introspective Americana with a couple of rockers, this new EP rocks and rolls, circa 1970. Corley doesn’t hold back on sing-talking his way through each song, with powerful, shaggy vocals in the forefront. There is such a great, up-tempo 70’s groove throughout the whole album. It’s heavy on guitar, organ (with a serious nod to early Petty), and drums, but still as lyrical and poetic as Available Light. He does slow down a bit and sings a country-blues tale of bad timing and missed opportunities on “Blind Man”, which includes the mournful whine of a harmonica, reminiscent of a Willie Nelson song.

Please check out Cara Gibney’s heartfelt article and interview with David, which includes the real-life story behind “Blind Man”, working with Sherman Holmes, and partner-love Kari Auerbach’s artistic interpretation of the album cover: http://nodepression.com/interview/lights-out-david-corley

Listen to and purchase the entire EP here: David Corley – Lights Out on Bandcamp

David is touring Europe starting this week in The Netherlands and moving to Ireland for Kilkenny Roots Festival over the weekend, starting May 1. Check out the incredible lineup here: http://kilkennyroots.com/

Check out David’s full tour here: http://davidcorleymusic.com/shows/

More articles on David Corley:

http://nodepression.com/interview/david-corley-wishes-right-star-and-debut-album-soars

http://nodepression.com/interview/david-corleys-irish-odyssey-moving-past-new-album

Official Video of “Easy Mistake” from Available Light:

 

 

April 26, 2016 Posted by | 2016, Americana, David Corley, Music, Rock | , , , , , | 1 Comment

Noam Weinstein’s Latest Videos

Noam Weinstein’s latest album, On Waves, made a splash with critics in 2016 (see my review here). Shawn Feeney produced a mesmerizing video to accompany the song, “Last Reincarnation” from the album.

 

He also has a new political endorsement song out (satire, folks–no nasty political trolling, please! 🙂 )

April 25, 2016 Posted by | 2016, Noam Weinstein | , , , | 1 Comment

Jeremy Nail – My Mountain

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Jeremy Nail, native Texan and singer-songwriter, just released My Mountain, eleven alt-country / Americana gems set in solid gold and produced by Alejandro Escovedo. I will direct your attention to my friend Paul Kerr’s review, a work of poetic prose:https://paulkerr.wordpress.com/2016/04/18/jeremy-nail-my-mountain/

Also, Cara Gibney posted an insightful interview with Jeremy on Rocking Magpie’s site here: https://rockingmagpie.wordpress.com/2016/04/20/jeremy-nail-exclusive-interview-by-cara-gibney/

Watch the official video of the title track, “My Mountain”:

 

Photo Credit: Stevan Alcala

 

April 25, 2016 Posted by | 2016, Alejandro Escovedo, Jeremy Nail, Uncategorized | , , , , , | 3 Comments

Will Kimbrough – No Gimmicks on Latest Album, “Live At Coast”

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Will Kimbrough produced a brilliant live album that dropped last fall. See my No Depression review here: http://nodepression.com/album-review/will-kimbrough-and-his-guitar-no-gimmicks

Photo Credit: Tamarind Free Jones

 

March 4, 2016 Posted by | 2016, Will Kimbrough | , , , , , | Leave a comment

Greg Townson – “My Friend The Night”

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Greg Townson‘s latest self-produced solo album, My Friend The Night, is a sweet blend of 60’s pop heart-warmers and heartbreakers. This is a nice album to listen to while cuddled up in a warm blanket, or twisting the night away with a warm friend. He gets to the point with most of the 12 songs clocking in right around three minutes, long enough to heat things up or pull in close for a slow dance.

Todd Bradley, co-producer (along with John DeAngelis), is his partner in crime in another band called The Hi-Risers. He also helps out on harmonizing vocals, bass and drums. Bradley shares writing credit with Allyson Bice on “Could Have Should Have Been”, showing off smooth, classic harmonies with Townson. Gussy Popp (vocals) and Anna Liebel (snare) also make an appearance on a couple of songs.

Greg’s alter ego, Gregorio El Grande plays a much meaner guitar with Los Straitjackets, although some of those surf sounds ring out a few times on this album, including Greg’s fun cover of “Linus and Lucy” (Guaraldi). Greg’s guitar skills are top-notch, whether he’s shredding his DiPinto at a Los Straitjackets show or caressing the chords, as evidenced on “North American Town”:

Greg Townson resides in Rochester, NY, where temperatures dropped below freezing there and all over the East Coast this winter. Grab a parka and a sweetheart, and hit one of his shows in New York before he jets off with Los Straitjackets to California in March. Check Greg’s show calendar here: http://gregtownson.com/ and Los Straitjackets dates here: http://www.straitjackets.com/shows

Support the independent artists who venture to your city and play small clubs and venues.  Support quality music.

Check out a few more reviews of Greg with Hi-Risers and LSJ here:

https://aplscruf.wordpress.com/2014/12/08/best-show-of-the-year-ii-los-straitjackets-and-deke-dickerson-at-the-tractor-11-21-14/

https://aplscruf.wordpress.com/2011/09/05/viva-los-straitjackets-the-rest-of-the-story/

https://aplscruf.wordpress.com/2012/04/12/meet-the-hi-risers/

 

 

 

 

 

February 17, 2016 Posted by | 2016, Greg Townson, Los Straitjackets, The Hi-Risers | , , , , , , , | Leave a comment

John Doe – “Get On Board”

From John Doe’s long-awaited upcoming album, The Westerner dropping April 29. See the article on NPR’s “Songs We Love” here: http://www.npr.org/2016/02/16/466316620/songs-we-love-john-doe-get-on-board

Check out John Doe’s revamped website for more info: http://www.theejohndoe.com/#new2016

Support his new album and get some perks: http://www.pledgemusic.com/projects/johndoe

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John Doe’s upcoming album, “The Westerner”

 

 

 

February 16, 2016 Posted by | 2016, John Doe | , , , , , | Leave a comment