Massy Ferguson – Triple Door VI Show Friday, April 7, 2017

Massy Ferguson and most of the audience at The Triple Door in 2016. Photo by Rich Zollner Photography
Come join in on the fun Friday, April 7 at The Triple Door in Seattle for Massy Ferguson and Sweet Kiss Momma.
Massy Ferguson, Seattle’s American Rock darlings, will sell out The Triple Door again this year. You don’t want to miss their lively show, which usually involves audience participation. You might even have a chance to join them onstage during their big finale.
Get your tix here:https://tickets.thetripledoor.net/ordertickets.asp?p=2430&src=eventperformances
The Believers Play Oak Harbor Music Festival Sept 3, 2016
The Believers, featuring Craig Aspen and Cynthia Frazzini, are playing Oak Harbor Music Festival this Saturday, September 3 at 7pm. Originally from Seattle, they currently reside in Nashville and are coming back this week for the festival. They’ll join the rest of the original band, including: Dan Tyack, Stevie Adamek, and Garey Shelton.
The free, three-day festival begins Friday, September 2. The motto of the festival: “Inspire Our Community With The Power of Music”. Thirty bands of various genres are scheduled to play, and all ages are welcome. Food, beer, and arts and crafts booths will be available, too.
I’m looking forward to seeing The Believers play with a full band. Aspen and Frazzini played a beautiful set in Fremont in 2014 at private club. Check the review of that wonderful night here and see another video from The Believers: https://aplscruf.wordpress.com/2014/11/02/dusty-45s-and-the-believers-at-a-private-club-in-fremont-wa/
SC4M: Americana Music Festival in South Central…England!
SC4M Festival is an annual Americana music festival in South Central England–Winchester, to be precise. This year’s Festival will prove to be a great success. It’s a guaranteed “No Mud” event, as all shows are inside The Railway Inn in two locations: The Attic and The Barn (not a real barn–but a larger room inside the venue). The line-up alone is worth a drool, including headliner John Murry and festival mascot Peter Bruntnell. The festival begins at noon and runs into the wee hours. Check the full lineup and schedule here.
I posted a more concise article for No Depression here.
Oliver Gray, founder and promoter of SC4M, is a language instructor, author, musician, and all ’round music lover. Over the last dozen years or so, he’s been dipping his toes in that river of Americana music and its related tributaries and booking The Railway with the genre’s best artists. The annual non-profit festival is going on its seventh season at The Railway. According to Oliver, he founded SC4M “not to make money…but simply for fun, and because if we didn’t bring Americana to Winchester, no other bugger would. We had to accept from the start that this would be a hobby and not a business. Over the years, if you add everything up, we have made quite a substantial net loss, but had a huge amount of fun and satisfaction.” Oliver and his wife Birgit even offer up rooms in their home to the artists in order to keep expenses at a minimum.
I had the pleasure of meeting The Grays in April:
The rain poured down the day my husband Pat and I were supposed to meet Oliver Gray in a little village on the outskirts of Winchester. After touring Winchester Cathedral and paying my respects to beloved author Jane Austen (i.e., crying my eyes out at her grave), we hired a taxi to take us into the village.
We were originally going to meet Oliver at a local pub, but due to the incessant rain, he invited us over to his home instead, as he didn’t feel like venturing out. He gave us his address. That’s it? There were no numbered streets or house addresses–only names in the style of manor houses posted willy-nilly in front gardens and near doorways (think of your favorite English novel: Wuthering Heights, Thornfield Hall, Mansfield Park, etc., but in an average, residential neighborhood)–it was nearly impossible for us to find his home. Our taxi driver gave up and drove off a few minutes earlier after cruising up and down the neighborhood and checking Google Earth. We were stranded. “It’s got to be on this street, according to the GPS,” Pat said. Frustration etched his voice as the rain dripped off the hood of his jacket.
I looked up, and a familiar-looking man crossed the street and approached us. After a tentative introduction to make sure we were indeed Lisa and Pat (and he was indeed Oliver), he guided us directly across the street and up a set of stairs to his lovely home. Their house sign was posted high, near some shrubbery–we’d never looked up. He sat us down, served us tea, and said, “My wife Birgit asked me how I came to know you, and I really don’t recall. Right. So. How do I know you?” Laughter ensued as we became acquainted with each other.
As a writer and lover of music myself, I found Oliver through a Facebook group called Rollercoaster Records. I noticed we had several mutual musical friends. When I realized Oliver booked The Railway, I contacted him to inform him we’d be in town on holiday in April and hoped to meet up or go to a show. Unfortunately, our Winchester visit was on a Monday, and we missed a few shows around town by a matter of days; but we hit a home run by spending time with Oliver and Birgit that day.
Back to SC4M…
Oliver has a lively article on his SC4M page regarding the formation of SC4M, the festival, and the various mishaps of being in the booking/promotion business including flaky agents, drunken behavior, and a near murder, just to name a few. Of course, even the worst incidents are canceled out by fantastic bands, sold-out shows, and life-long friendships with artists and patrons. There is also a section dedicated to the nearly disastrous 2013 festival, and other bits of lore that took place over the last decade.
I included a snippet of Oliver’s article, which includes the birth of SC4M:
“It was at the Tower Arts Centre in Winchester and it must have been February 2000. My friend Richard had begged me to come and see a guy called Peter Bruntnell.
“I had always had a strong prejudice against country music, with its attendant visions, in my mind, of soppy lyrics and redneck attitudes. It wasn’t rock. But Peter Bruntnell and his band did rock – like hell. The ridiculously young James Walbourne was simply one the best and wildest electric guitar players I had ever seen. There weren’t many people there, but that evening changed my life. Richard and I decided to become alt-country impresarios. Not to make money…but simply for fun, and because if we didn’t bring Americana to Winchester, no other bugger would.”
And so began Oliver’s foray into the world of promoting Americana music in Winchester.

The Railway Inn, Winchester, UK
“We also had the perfect venue, in the form of The Railway in Winchester, a cosy pub that has a back room that feels just like a Texas roadhouse, with black walls, a sticky floor and a sweaty rock and roll vibe….We certainly didn’t think we’d still be doing it [thirteen] years later.”
The Lucky Mascot Returns:
“If you look at the list of our shows, you’ll see that the first one (on May 1, 2003) featured, naturally, Peter Bruntnell. Well, it would have to. The Bruntosaurus, as he is affectionately known, has played for us over twenty times…Peter is officially designated as our lucky mascot. In our opinion, he is the UK’s premier songwriter, but far more importantly, he is an absolute legend as a person. Luckily, our audience shares our enthusiasm and any show he features in will always draw a healthy crowd.”
Recently, I asked Pete Bruntnell about his experiences playing SC4M:
“We’ve been playing in Winchester for quite a few years now thanks to Oliver and Birgit. It’s always one we look forward to what with the great atmosphere they create, and the cheese and wine back at Chez Oliver’s after. If every town had an Oliver I’d be a rich musician!“
Pete’s latest video, “Mr. Sunshine” is featured on his new album Nos Da Comrade:
Per Oliver, the 2016 lineup will be smashing with John Murry’s return to the stage:
“Since he more or less demolished the place two years ago, we’ve been gagging to have John Murry back, this time in duo format with Neil Quigley. Headlining in the Attic we have one of Winchester’s greatest success stories, This Is The Kit, featuring Kate Stables and Rozi Plain. A massive bonus this year is a solo slot from our special guest Andrew Combs, whom we love to death.”
John Murry gave an emotional tribute to the Grays:
“Oliver and Birgit Gray mean more to me than I could ever fully express in words (and I’m told that I have a way with those damn things, though I’m unsure as to whether those who say that I do mean that I use them artistically or that my use of them tends to get me in trouble quite often…). Everything they do, they do out of the love; the love of music, the love of art, and the love of the artist.
“Playing SC4M and Winchester and, in earlier days, Southampton, has always felt like a brief vacation from the pressures of touring while staying with the Gray’s. I’m certain that, if shows I have done have been good, then the ones I have done in Winchester must have been some of the best I have ever done. Like playing for family I have never really had, I have always wanted to give those shows more than I have in me to give, only to see the wry excited smile that creeps across Oliver’s face as he stands in the audience that indicates I have done well. He’s the finest musical barometer I have ever met. His taste is immaculate, his understanding of the art behind it all is immense, and his love of rock and roll is insatiable. He and Birgit have seen more amazing acts perform than most of us could see in multiple lifetimes. They are heroic to me. Sincerely. Not because they ask nothing in return for the love, hard work, and money they put creating and promoting each yearly SC4M festival, but because they do it out of a sense of duty and responsibility with a dignity and humanity almost alien to the selfish world we live in today. I’ve played large festivals on a few continents, but I have yet to play a festival as superbly curated and consistently amazing to both perform at and attend as SC4M, and I doubt I ever will. It is more than an honor to headline this year’s festival, it’s a challenge. I WILL make Oliver and Birgit dance or cry or something! I have to. They’d expect nothing less. From any of us.”
Murry rocked The Railway in 2013:
Meanwhile, back at Chez Oliver’s…
Besides booking The Railway throughout the year and the annual SC4M Festival, Oliver and Birgit also host intimate shows in a beautiful pine-wrapped outbuilding on their property called Swiss Cottage. It’s quite a treat to meet a couple who love music so much that they built a place for bands to play on their property. It holds about 30-40 people, and the top-notch musicians who are invited to play at either venue are also invited to sleep in the Grays’ home, just steps from the cottage. Money collected for the shows goes directly into the artists’ hands.
The Grays support not only UK and European artists, but also American artists. Some Americans have actually enjoyed much more success overseas than in the US. There are too many bands to list, but a few who played Winchester include: John Murry, Richmond Fontaine, Jeff Finlin, The Believers, Dead Rock West, Chuck Prophet, and Fernando Viciconte.
I’ve played Swiss Cottage, too–well, okay, I played a mean round of ping-pong in Swiss Cottage on a rainy Monday afternoon.

Craig Aspen, Oliver Gray, and Cynthia Frazzini at Swiss Cottage
Craig Aspen of The Believers, a Seattle band currently residing in Nashville, recalls his experience of their short stay with the Grays:
“Simply put, Oliver Gray is a taste maker. The Believers included The Railway on our last tour to the UK, because Oliver was booking acts that we loved and had shared the stage with back home in the States. People like Chuck Prophet and Jesse Sykes.“I remember Cyd [Cynthia Frazzini] and I waking up very jet-lagged and rehearsing while Oliver and Birgit cooked dinner. After we ate, Cynthia went back to bed. Oliver and I went out for pints. I don’t care what anyone says, the best beer is made in England so don’t miss a chance to get out to the pub.“We ended up at The Railway on a double bill with our friends from LA – Dead Rock West. What a great night. And then we were ‘off’ to the next place the morning after and didn’t even get to see The Winchester Cathedral. That’s always how it goes on tour…”
_________
The rain stopped. Oliver gave us a historical walking tour through the village. We strolled across the bridges of the twin rivers and arrived at the small train station to catch our ride home. Pat and I had a lovely time, and we were so pleasantly surprised by the Grays’ hospitality to a couple of Yankee strangers who shared their love of music.
If you plan on being anywhere near the UK in September, grab some tickets to SC4M Festival and go!
Support Oliver and Birgit and their unwavering commitment to bringing quality music to Winchester. Purchase Railway Tickets for SC4M here
See the complete SC4M lineup here
Support the independent artists who venture to your city and play in small clubs and venues. Support quality music.
Massy Ferguson: Chasing Anti-Heroes and Hitting The Mark at The Triple Door

Massy Ferguson at The Triple Door June 17, 2016. L-R: Tony Mann-keys; Ethan Anderson-vocs, bass; Dave Goedde-drums; Adam Monda-vocs, guitar (not pictured: Fred Slater-keys). Photo Credit: Jacob Knight
A Massy Ferguson show always turns into one big audience-participation party, but this night was even more festive because each guest received a copy of their new album, Run It Right Into The Wall with the purchase of their ticket. Hence the official name for the evening: The “Everyone Gets An Album” Release Party.
A few weeks before the show, Massy Ferguson hyped it up online, blasting us with Facebook and Twitter posts, videos, teasers, pictures, and album review links. Paul Kerr, prolific writer of the music blog Blabber ‘n’ Smoke recently gave a thumbs up to Massy’s new album, calling it a “solid slice of gritty roots rock”. Check out his lively review here: https://paulkerr.wordpress.com/2016/06/27/massy-ferguson-run-it-right-into-the-wall-at-the-helm-records/
By showtime, The Triple Door was nearly sold out, with only a few empty seats scattered about the venue. People who purchased VIP tickets (a mere $16 more than regular admission) were also treated to a pre-show party and meet ‘n’ greet in The Green Room which included food, signed CD’s, and a cassette (yes, an actual audio cassette) of the new album. Dig out the boom boxes and find a pencil!

Ethan Anderson: Chasing anti-heroes. Photo Credit: Jacob Knight
Ethan Anderson, bassist and frontman for MF, officially kicked off the night by reading a heartfelt speech about the conception of this album, calling it the record Massy Ferguson was born to write. He spoke of all of the steps it took to get to this point in the life of the band. He spoke of his anti-heroes–those bands who were on the fringe, who didn’t swim in the main stream, such as The Replacements, Wilco, Son Volt, and The Boss himself, back in his Nebraska days. They were his mentors, his idols–just out of reach. Some he literally just missed in a green room or on a stage. Their latest album sonically touches these anti-heroes, but as more of an homage–never an imitation. They have a signature sound, and this one hits all the marks that make them Massy Ferguson. Maybe it’s a little more rockin’ than their previous albums; but as Ethan said, “They always were at their best with rock first, twang after.”
Keeping a band together for ten years is quite a feat these days, especially when one is on the left side of the dial, trying to make ends meet–trying to make it. Roll the video…
Following the speech and video, Nick Foster Band, a seven-piece Americana ensemble, primed the audience for party time. Foster, on acoustic guitar and vocals, shared beautiful harmonies with Jazmarae Beebe. The rest of the band was equally impressive on soulful folk songs and full-bodied jams.

Nick Foster Band. Photo Credit: Rich Zollner Photography
DJ Indica Jones kept the festivities going between sets with some great spins from 80’s and 90’s pop, rock, and hip-hop. He involved the audience in sing-alongs and let them finish choruses with songs like Bon Jovi’s “Living on a Prayer”. He danced along, grooving to his own beat.

DJ Indica Jones doing his thang. Photo Credit: Rich Zollner Photography.
The curtain rose and Massy Ferguson started their long set with five new tracks from Run It Right Into The Wall. All songs on the album except one were written by Massy Ferguson. The exception is “Firewater”, written by UK rocker Dave Woodcock (Dave Woodcock and the Dead Comedians). This up-tempo, jangling rocker fired up the audience as Adam Monda fueled them with his trusty #5 Fender. A makeshift dance floor started in the aisle.

Ethan Anderson, Adam Monda, and Fred Slater. Photo Credit: Jacob Knight
They continued with some favorites, including “Renegade” and “Backwoods”, the latter receiving help from the audience as they clapped along to the beat.
Another new one, “Dogbone” includes a Creedence-inspired riff. During the song, Rainier tallboys magically appeared on the stage. While Adam dove into a psychedelic solo, Ethan rolled over onto the stage (with his bass, which is quite a feat), grabbed a beer, took a sip, and popped back up. The stage lighting matched the colors of their new album. Bonus.

Ethan grabbing a Rainier and saving the bass. Photo Credit: Rich Zollner Photography.
Ethan interrupted the show to mention they have two new t-shirts designed by drummer Dave Goedde in the merch booth. Dave also designed the album’s cool cover. Ethan then threw two shirts out to the cheering audience before raising his Rainier for his traditional toast, in several languages.

Dave Goedde kept a steady beat all night. Photo Credit: Jacob Knight
“Every time I say Hello, you answer…Hello!” Ethan yelled to the crowd, and they happily shouted along to this poppy tune from Victory & Ruins.
Ethan later dedicated “Set The Sun” to a friend in the crowd who was having a birthday this evening.What a perfect way to celebrate.
“Lagrande” from the EP Damaged Goods featured Tony Mann on keys, filling in for Fred Slater. Tony just recently moved back to the US from Costa Rica, and was a member of Massy Ferguson from its inception. It was great to see Tony play with the band again.
“Atlantic City”, a cover by Bruce Springsteen, reminded Ethan of driving home with Adam after a late night in Roslyn, a tiny resort town east of the mountains. The audience sang along to the somber, repetitive chorus.
Massy Ferguson blasted back from “Atlantic City” with “Front Page News”, an angry rocker, and the dance floor spread into the aisles. They kept the momentum going with “Powder Blue” –always a great song to do near the end when everyone is primed to yell “Powder Blue!” at the top of their lungs on Ethan’s cue.
The last song, “Into The Wall” allowed the crowd to breathe briefly while nodding their heads to the pensive title track.

The Almighty Flute! Photo Credit: Rich Zollner Photography.
Ethan then invited the entire audience onstage, and soon the stage was packed with happy revelers and dancers. He handed his bass to another capable musician while he brought out his almighty flute, a bittersweet sign that the rowdy night was coming to an end. They finished their high-energy set with a cover of “Can’t You See”, but the flute malfunctioned. It was missing an end piece. A roadie tried to do an emergency repair, but it didn’t hold. Ethan tore that thing apart as the dancers and revelers continued on, not caring or noticing that the flute solo was abandoned.

Big Finish! Photo Credit: Rich Zollner Photography.
Ethan Anderson might have missed his anti-heroes, but tonight, he and the band hit their mark.”They exceeded the hype!” said a friend when the party was over.

Ethan Anderson, Fred Slater, Adam Monda, and Dave Goedde somewhere in England. Photo Credit: Ethan Anderson
A few days later, Massy Ferguson revived the party and ran it right into The UK the rest of June and into the first week of July. The tour included shows in Bath, Brighton, London, and Scheffield, among others, culminating with a grand finale at Maverick Festival in Suffolk where they shared the stage with the brilliant UK-Americana artist Peter Bruntnell.
See their website for news, merch, and upcoming shows here: http://massyfergusonband.com/
Support the independent artists who venture to your city and play small clubs and venues. Support quality music.
Past Shows, Future Shows, and Cool Projects
I can’t keep up with the shows we’ve attended, nor do I have time to write full reviews, so I thought I’d do a brief summary of some artists to keep in your radar.
Vaudeville Etiquette, psych-Americana sweethearts from Seattle, threw a helluva CD release party on Saturday, May 7, at Neumos. What an absolute party it was. Their sophomore album, entitled Aura Vista Motel represents the polished versions of songs they’ve been playing live for months now.
Although I’ve seen them play several times, the energy they brought to the party was palpable. Their five-person band, co-fronted by Bradley Laina and Tayler Lynn, expanded to eight and exploded with sonic and visual delights.
Check tour dates for tons of shows coming up in June and July here: http://www.vaudevilleetiquette.com/#!tour/ck0q
__________
Last weekend, we saw Ted Leo (sans The Pharmacists) in a solo show at Barboza, the intimate space in the basement of Neumos.

Aimee Mann and Ted Leo of The Both
It was fantastic to see Ted Leo in such a small venue. We saw the full band at The Showbox back in 2007, but due to events beyond our control, we had to leave early. It was super loud, too, almost unbearably so. At this solo event, he politely asked the audience if he should turn down the amp on his electric guitar. It was a Greatest Hits Night, but he also showcased a recent project called The Both with Aimee Mann, who was also a surprise guest on a few songs. Their harmonies were gorgeous. In between songs, and even during some, Ted kept us in stitches with little anecdotes and forgotten lines. Afterward, he graciously allowed us to have a few words, even going as far as telling us to tell our college-aged son to do well on his finals and stay in school. Sweet!
Coming up this Thursday, June 9, is a show at Hotel Albatross in Ballard with Portland’s Fernando, Austin Lucas and Adam Faucett . Looking forward to their unique styles, blending alt-country, folk, and Americana.
Next week: Newlyweds Ian McFeron and Alisa Milner will play an outdoor set of their lovely Americana music on the grounds of McMenamins/Anderson School in Bothell on Thursday, June 16.
On June 17 we will attend Massy Ferguson’s release party! Super excited for this show. They always bring the fun. See my previous links or their website for more info. Also, their June UK tour dates are up!
Tom Petty and his band Mudcrutch play The Fillmore in San Francisco Sunday and Monday, celebrating their second album in 8 years, properly titled, 2. No Seattle dates, unfortunately.
We saw Mudcrutch in 2008 at The Troubadour in Hollywood: https://aplscruf.wordpress.com/2010/01/27/tom-petty-with-mudcrutch-at-the-troubadour-05-02-2008/
More fun at the end of June when John Doe, Jesse Dayton, DJ Bonebrake, and Cindy Wasserman “Brang It” to The Tractor Tavern June 29! This one should sell out.

Thee John Doe. Photo by Jim Herrington
See my review of John Doe’s show at The Triple Door here: https://aplscruf.wordpress.com/2015/06/26/john-doe-reigns-at-the-triple-door-seattle-june-19-2015/
In July, a few shows to start off the Independence Day weekend with a Bang, including The Paperboys , the MexiCanadiAmericanaIrishFolk band, who will play The Tractor July 1.
The Swearengens, another Ballard Americana staple, will also play The Sunset July 1. If you time it right, you might see both the same night. Just hoof it up or down Ballard Ave.
On Sunday, July 3, those La Lucha-wearing surf rockers, Los Straitjackets will sell out The Tractor.
Down South and other far away lands, more great news:
Austin darling Jeremy Nail’s tour hits Nashville and NYC, among other cities. Fantastic Press keeps rolling in for this talented singer-songwriter.
Jeff Finlin’s new book of prose, The Seduction of Radha is now available. Check his website often for more good news, including new albums, books, and his new organization, Recover.Yoga.
Willie Sugarcapps keeps moving up the Americana charts and is getting great press for their new release, Paradise Right Here.
Dean Owens recently recorded a haunting song called “Cotton Snow”, about The Battle of Franklin. See Paul Kerr’s Blabber ‘n’ Smoke review which includes more information about Dean’s previous and current projects here: https://paulkerr.wordpress.com/2016/04/04/dean-owens-with-dave-coleman-cotton-snow-single-release-drumfire-records/
He also paid a heartfelt tribute to Muhammad Ali in the audio below. Watch his site or follow him on FB for upcoming projects.
https://soundcloud.com/search?q=scary%20biscuit/louisville-lip-rf
Whew! I’m exhausted just thinking about it all. More fun is on the way, so it’s time to re-charge.
Aaron Lee Tasjan was Smokin’ at Anderson School

Brian Wright and Aaron Lee Tasjan
It was another one of those nights where we looked around and wondered where the hell everybody was. Why wasn’t the entire city stuffed in this old gym watching this talented band from East Nashville? It was a free show! Just walk in, that’s all they had to do! It was a Wednesday in Bothell, for one thing.
McMenamins, an Oregon-based hotel, brewery, and restaurant chain, recently opened another fine facility here in Bothell, a neighboring town about 30 minutes northeast of downtown Seattle. The old Anderson School property has been transformed into a beautiful hotel, a large restaurant, several intimate bars and outdoor spaces, a pool with a tiki bar perched above it, a movie theater, and music venues. One venue is in a classroom-sized space; another, an outdoor stage in the courtyard; and the main venue is located in the old gym–or maybe it was the old cafeteria. Regardless, you know the look: a big box with high ceilings. It’s a good space for wedding receptions or class reunions, but an awkward space when you, as a band, have to play in front of a paltry crowd of 25, seated ’round a few round tables. Unfortunately, this is where Aaron Lee Tasjan and his band The Stoned Faces were set to play.
It was a beautiful evening, and there were lots of people milling around outside, sitting near the wood fire pits and propane heaters, eating and drinking. Inside, the bars, booths, and tables were fairly full for a Wednesday. We ate dinner outside first, and made it just in time to see the band load in on the low stage at the front of the gaping venue.
The two-set show started around 7:00.
Aaron Lee briefly introduced himself and explained how he is from East Nashville, not that Other Nashville…and dove into the first set with E.N.S.A.A.T.: “East Nashville Song About A Train”. Here’s a similar version he played at Red Clay Music Foundry:
“Junk Food and Drugs” shows off ALT’s guitar pickin’ prowess:
“12 Bar Blues” not to be confused with George Harrison’s lil’ ditty, “For Your Blues”–This humorous song had to do with the twelve bars the narrator in the song frequented. Watch below as he sing-talks his way through each bar.
One cannot help but make comparisons to Todd Snider, his East Nashvillian neighbor and occasional stage partner. Influences are found in his humorous anecdotes, drug-saturated characters, and even in a few of the melodies. More than once, I leaned over to husband Pat and whispered, “This could be a Todd song!” But Aaron Lee has a voice and a skill on guitar that goes unmatched. His upper register has a clarity to it that gave me chills, and at times, reminding me of Rodney Crowell. His nasty garage riffs and blues-laced jams were dazzling–techniques likely honed from his days with New York Dolls and Drivin’ and Cryin’. This was a rock band at times, under the heavy influence of East Nashville.
During the short intermission, both Brian and Aaron Lee greeted their fans and seemed appreciative to those who did make it to the show. More people trickled in by the time they jumped back on the stage.
“In My Life” the Beatles cover, was the first song of the mostly acoustic second set. It was a sweet rendition–just Aaron Lee, his beautiful tenor voice, and his acoustic guitar.
The spotlight then shifted to Brian Wright, a singer-songwriter and skillful guitarist in his own right. His voice surprised me. It had a rich, deeper tone that evoked emotion.
Just like Nashville needs a train song, they also require a murder ballad. Brian’s ballad is called “Maria Sugarcane”:
Brian also gave a shout-out to the late great Guy Clark and covered a moving rendition of his song, “El Coyote”.
Brian stopped to take a sip of his drink. Someone yelled out “Whiskey?” He turned, with a comedic pause and said, “It’s almost summer. It’s tequila–I’m not a savage!”
Meanwhile, Aaron happily picked along in support, adding harmonies where required. Wright had a fan in the sparse audience who knew all of his songs and requested one he hadn’t played in a while. He obliged, and told her that when the song is over, she’ll either thank him, or he’ll have to apologize. He donned his harmonica and played seemingly without any foul-ups, since she let out a whoop and applause at the end, along with the rest of the crowd.
During this second set, more people wandered in and took their places at back tables or stood along the sides by the bar. Maybe a total 50 people attended. It was so surprising, considering there was no admission fee. The double doors were propped open, letting their bluesy, twangy sound flow into the courtyard.
“$66.00 Blues” was part of the Big Finish of the evening. They brought up the rest of the talented band and jammed their way into Tom Petty’s “Refugee” and back, topping off the the fine set with a big ol’ cherry.

ALT and The Stoned Faces: Brian Wright (guitar, vox), Jordan Solly Levine (drums), Aaron Lee Tasjan (guitar, vox), and Keith Christopher (bass)
Check ALT’s website for current merch, more information and updates regarding a new album dropping in October, and other tour news.
Check Brian Wright’s website for more info and purchase his new album, Rattle Their Chains.
Read more about Aaron Lee Tasjan and his band here:
Makin’ It with Massy Ferguson
Congratulations go out to Seattle’s own Massy Ferguson, for recently acquiring a UK label, At The Helm Records, to support their upcoming album, Run It Right Into The Wall.
Frontman Ethan Anderson and the boys will host a CD release party here at The Triple Door on Friday, June 17th. The show is nearly sold out, with only a few seats left at this writing.
Soon after, they’re heading across The Pond to continue the festivities.
The UK tour is from June 22nd through July 3rd, and includes a CD launch party. Other show announcements will pop up soon, so check their website or Facebook often for updates.
Their first official video from the album is aptly called “Makin’ It”, and was recently featured on Huffington Post. Read it here (scroll down a bit):http://www.huffingtonpost.com/entry/chats-with-barenaked-ladies-ed-robertson-wpremiere_us_573a8399e4b07a3866046392
See you at the party!
Peter Bruntnell’s Nos Da Comrade – Five Stars
I wrote a short, five-star Amazon review of Peter Bruntnell’s latest album, Nos Da Comrade (2016). It’s a must-buy for Americana/pop/rock fans.
Check out a detailed, glowing review from Paul Kerr of Blabber ‘n’ Smoke here: https://paulkerr.wordpress.com/2016/04/03/peter-bruntnell-nos-da-comrade-domestico-records/
Purchase his merch through Amazon or directly from Peter here: http://peterbruntnell.net/store.php
Watch the video of the first song on the album, “Mr. Sunshine”:
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