Luther Wright & the Wrongs have a fabulous new album out. It’s a little bit country and a little bit rock ‘n’ roll. I interviewed Wright for No Depression. Check out the review and interview here: http://nodepression.com/album-review/luther-wrights-new-album-has-split-personality Go buy his album and support your local independent artist! Pick up another one for your bestie. Thank me later.
Try not to dance to this one:
Check out the link above to read the latest from X! Billy Zoom will play several shows in November and December, including Seattle’s Showbox! I’m honored to have a photo pass for this show on December 18th, and cannot wait to see them. My dear husband will be seated in the VIP section holding my purse if you’d like to pop by for a visit.
Check out my No Depression article on Colt Kraft Band‘s new album, titled My One True Home, set to drop October 30. Here’s the link: http://nodepression.com/album-review/road-trippin-through-colt-krafts-dreamy-debut-album
“High School” is one of my favorite tracks on the album:
Check out my short review and smile-inducing video called “Paella” created by Steve Zehentner for Church of Betty.
Less than two weeks after my last post about David Corley, he collapsed on stage during the final song of his set while playing at the TakeRoot festival in The Netherlands. A quick-thinking audience member gave him CPR and saved his life. He is still in the hospital in Groningen, NL as of this writing, resting and recovering. He is surrounded by love, near and far. His producer, band mate, and friend, H. Chris Brown is by his side, keeping David’s humor up (see picture, above).
A fundraiser has been set up to offset David’s medical bills. This man has a heart of gold, but now his heart needs some TLC, too. Please donate so he can recover without worry and continue to make beautiful music. Thank you. Here is the link for donations: https://www.giveforward.com/fundraiser/566b/david-corley-s-heart-needs-your-help
To listen to David’s debut album Available Light, click here: https://continentalrecordservices.bandcamp.com/album/available-light
Check out his Facebook pages here: https://www.facebook.com/Corleyheart?hc_location=ufi
When I saw the raves, reviews and pictures come pouring in for David Corley’s live show, first from Italy and now from Ireland, I was so thrilled–so proud of him, and of the people who support him, including his family, his beautiful and artistic love, Kari Auerbach, who also designed the layout and artwork for the album and helped produce his Kickstarter campaign; his sweet and influential publicist Bernadette Quigley; his producer and instrumentalist H. Chris Brown; and the rest of the talented band who worked with him in the studio and on the road.
I first heard of David Corley and his debut album, Available Light, through Paul Kerr’s Blabber ‘n’ Smoke blog [thanks, Paul, my blood brother!]. The whole thing was such a fluke. I hardly ever read other blog posts, mainly due to time constraints. I have a full-time job, write on the side, and spend the rest of my time with my family. So the fact that Paul’s post caught my eye in the first place is some kind of miracle. When I couldn’t stop listening to the album and pouring over the lyrics, I knew I had to buy it immediately. It was instant, musical love. I sent over a quick note to DC via Facebook and promised to write a live review of his show if he ever came to the Northwest (Washington State). Bernadette then contacted me and requested I conduct an interview via email with David. How could I turn her down? I’d never conducted an interview before except for a mock interview I did with a local musician that was more of a joke than a true, thought-provoking q & a. [I don’t think I told you that, BQ! Ha!] Anyway, the questions streamed in within minutes. Within a few days, I had a short review and questions honed down and ready for him, and emailed over to BQ. It seemed magical to me, how it all fell into place. A few days later, David had answers–insightful, interesting answers, which gave us a little peek through the window of his world. I joked with him, asking him what’s next, World Domination? Well, apparently so. It would just take a few more months.
I posted his official video and the interview on No Depression, but I didn’t feel it received the attention it deserved. Although both eventually received hundreds of views on that site, I was just waiting for someone else–maybe someone from the general public–to rave about the beauty in his lyrics and in that deep voice. He hadn’t toured at that point, so all publicity was through album reviews on various music blogs around the world–which is fantastic, don’t get me wrong. But I felt insulated, up here in the corner, in Washington State, away from the action, just waiting. But the album reviews kept streaming in, and Bernadette, always looking out for her artists, was working her magic behind the scenes, posting them on FB and Twitter. Kari worked on his website and helped David “plot and scheme” and get the word out about upcoming tours and events. This gave me hope that people–the listeners, music lovers, and audience members, would eventually sit up and take notice and go see him, once he started touring.
Meanwhile, I developed this musical friendship, not only with David, but with Kari. She shared a piece of her precious soul with me as we quickly became FB pen pals. And beautiful Bernadette, with her x’s and o’s, continued to reach out to me with words of encouragement regarding my blog posts, gave me updates and introduced me to other artists, too.
Reading the raves and the love being poured out on DC and the band in Italy and Ireland made my heart swell. I’m just so happy that others like me, the ones down in the shadows, in the audience, share my passion and see the magic and soul behind his music. Seeing him live, in person, meeting David, Kari, and the rest of the band must have been such a wonderful treat. And to sit back and watch as people’s mouths dropped open as they listened to their favorite new album coming to life in front of them, or maybe hearing him for the first time–I would have loved that so much. I envy all of you who have already witnessed this, but it validates my original love for his music and its effects on the soul. I can only hope he receives this kind of love here in The States someday. I’ll do my best to spread the Word.
And now, being a part of the Rollercoaster Records gang in Kilkenny, I feel like I’ve gained a new little family on the other side of the world, one that understands the value of great music and supports those musicians who rock our world like no other. Thanks all, and for Willie and co., for organizing the show. I only wish I could have joined you and shared a pint.
I wish you the best as you continue on this journey together.
John Doe with Jesse Dayton at The Triple Door – Seattle 6/19/15
I was in junior high when John Doe’s punk band X started picking up speed. I remember a vague mention of X in high school, maybe a song or two, but they disappeared out of my radar completely as I headed for college. Seattle, although it tries to be trendy, forgot to send me the memo. They slipped right by me, along with The Fleshtones. Also, I tend to get stuck on one artist every few years and miss all the contemporaries. Musical poverty. Musical ignorance.
A John Doe Virgin.
I missed out on John Doe as a solo artist, too, until a musician friend posted some lyrics on his Facebook page:
you are the hole in my head / I am the pain in your neck / you are the lump in my throat / I am the aching in your heart
I looked up the lyrics, which led me to “Golden State” a track on the album, A Year In The Wilderness by John Doe. Thee John Doe.
I purchased A Year In The Wilderness. It didn’t leave the CD player of my car for a solid month. I fell in musical love. How did I miss him all these years? The tone of his voice, the lyrics, and the Americana style of the melodies really hits my sweet spot. I checked his website for tour dates. He mostly stays in California these days, but makes a few trips up north every year. Its seemed like every time he was up here, we were going to another show or were out of town.
Finally, this June, I was able to purchase tickets to The Triple Door, a swanky dinner theater in downtown Seattle. I secured a photo pass for my son Jacob that night, courtesy of Doe’s manager, promising to write a show review for No Depression. I was thrilled. Pat had to miss it, but at least Jacob would be there with me to enjoy the night.
After surviving terrible Friday rush-hour traffic and quickly eating before the show, Jacob and I settled in to Booth 13. The six-person booth comfortably seats four. Jacob’s shoulders alone take two spots. We were all pins and needles waiting for the show to begin. I was a proud mama watching my son, with his press pass proudly displayed on his shirt, adjust his camera settings to prepare for the shoot.
Finally, at 8:00, the lights dimmed and Jacob took his position across the theater and I readied my pen and journal, crushed between the other booth guests. I was pleasantly surprised to see several guitars, drum kit and upright bass on stage. I thought it was going to be an acoustic show, for some reason.
On with the show (the following is a copy of my post on No Depression):
John Doe Reigns at The Triple Door
John Doe brought his punk energy and some Texas twang to The Triple Door in Seattle. Doe is in the middle of a short tour to promote The Best of John Doe This Far, his multi-decade collection of greatest hits. The genre-bending performance entertained and engaged the audience from start to finish.
Opening for John this night was Austin’s Jesse Dayton, who, like Doe, is a bit of a renaissance man. He’s a top-notch session guitarist (he played on Waylon Jennings’ last two albums), a stage and screen actor, producer, zombie movie star and soundtrack artist, screenwriter and film maker (ZOMBEX), raconteur and comedian.
Dayton, who played a dark and dirty Gretsch guitar, was accompanied by Chris Rhoades on doghouse and electric bass, and Eric C. Hughes on drums. The three boys let ‘er rip with some rollicking alt-country and Americana tunes with humor and big Texas style.
Jesse was “brangin’ it” (his motto) with a screamin’ rockabilly solo on the first song, “Daddy Was a Badass” and a slappin’ bass beat. In a faux bravado move, Jesse held his hand up to his ear and begged the audience to make some noise for him. The crowd whooped and clapped heartily.
He said he was from a parallel universe called East Texas, and dedicated the song, “We Can’t Help The Way That We Are” to Waylon Jennings.
“Beautiful Thing” is a song about the creole woman from Louisiana who helped raise Dayton. When he was a boy, they spent the weekdays listening to blues artists like Lightnin’ Hopkins. On Sundays, she only allowed gospel music. “She was my best buddy,” he said. He played a soulful acoustic slide with a nod to his favorite blues guitarists. One lyric in the heartwarming ballad really stood out: The Funeral was black and white / but our tears were all the same
Not wanting to get too sentimental, Jesse kicked it up a notch and quipped, “It’s all drinkin’ and cheatin’ songs from here on out!” Sticking to his word, he introduced the next tune, “I’m At Home Getting Hammered While She’s Out Getting Nailed”, by proudly exclaiming that it has “two whopping chords in the whole song, and no bridge or chorus”.
[Up on a scaffolding, on the side of the stage behind the curtain to most eyes, I spied a man with black glasses looking down on Jesse’s performance. My heart skipped a little beat. It was him! I discreetly pointed and showed my neighbor, who verified that it was indeed, John Doe checking out the show.]
After a few more tunes, Jesse joked, “I hope we passed the audition tonight.” His last song was dedicated to Eddie Spaghetti of Supersuckers. Jesse first told a story regarding the beautiful time he had traveling with Eddie on tour and stopping at a Love’s Truck Stop for some duct tape. Eddie wanted to purchase some chrome girly mud flaps for his garage wall, too. In a “Shakespearean white trash epiphany,” Jesse promptly went back to his car and wrote a song called “Arkansas Chrome (Duct Tape Song)”.
John Doe is a singer / songwriter with almost four decades of songs to his name. He’s an actor (with a long list of credits), a poet, a teacher, a horseman, and punk royalty. Doe is most recognized as the bass player and vocalist with the renowned L.A. punk band X with Exene Cervenka. He was also with The Sadies, The Knitters, and participated in other collaborations.
The talented and beautiful songstress Cindy Wasserman from Dead Rock West joined Doe on vocals this night. He facetiously introduced her as the meanest woman in rock ‘n’ roll. Cindy’s harmonies blend perfectly with his clean and controlled vocals. The tone of his voice is still so powerful; he can hold a note and take it for a ride into the stratosphere.
Doe played an eclectic set, mixing X songs with his solo projects and included a few covers. Singing from the heart on moody ballads, he also balanced out the tone with politically-fueled rants and up-tempo rockers. With Jesse Dayton’s band backing him, it was high-energy rock show overall, but infused with Americana, country, roots, and blues–crossing genres without apology.
John dove into the set with “This Far” from 2002’s Dim Stars, Bright Sky , featured in his latest collection.
One of his old friends was in the audience this night. He introduced “Handsome Devil” from Keeper and warned the audience to never let a friend of a friend spend a couple of nights, because bad things might ensue. The foreboding lyrics explain:
here comes a stranger
a friend of a friend
knocking on our door
sliding it open
he talks the blues, so do you
this ring is getting tighter
my finger is falling off
this changes everything
he stole your wedding ring
this changes everything
he walked right in, sat right down
baby let your mind roll on
& roll right outta town
where’s my gun?
oh that’s right, I don’t have one
so devilishly handsome
should of known he was actually Satan
this changes everything
Another song of betrayal, “Burning House of Love” from X’s Ain’t Love Grand included Rhoades, back on upright bass, and an explosive solo by Dayton.
“The best life lesson is to hold the reigns firmly, but lightly…” Doe states in the video. He also kept the audience firmly but lightly in his grasp. He offset any angry rants with humorous anecdotes, backstory, and friendly banter with the band and the crowd. During a mishap (Jesse broke the bridge of his guitar and had to swap out with one of John’s and quickly tune it) which involved some quiet talk and scrambling around on stage, Doe stepped back up to the mic and said, “Sorry, we were just up here talking about the basketball game…” followed by some choice words about not really caring about basketball, making the audience chuckle.
“Twin Brother”, a very touching song of regret from 2005’s Forever Hasn’t Happened Yet contained haunting, beautiful harmonies from Cindy.
He introduced the Bob Dylan Cover “Pressing On” by saying, “I’m not religious, but I do have some spiritual ideas, if you care to discuss them with me at the merch table…” garnering laughter from the crowd, although they soon hushed up as he played this spiritual (or religious, depending on one’s point of view) number. Later, he also covered Johnny Cash’s “I Still Miss Someone” and a lovely, emotional version of Joni Mitchell’s “A Case of You”.
“4th of July” a bittersweet X song, is a perfect accompaniment to these sunny summer days, but Doe complained that he always hears someone request it in November.
John checked in with the audience: “Are you all having a good time? Excellent. It’s all going to come to an end.”
“Lucky Penny”, a cherished love song from Keeper, generated a wistful sigh from Booth 13. [Why do I find his grumpy rants so endearing? Because he can still write and sing an honest love song.]
“Who has worked in a factory?” asked John. A few people raised their hands. “Seven people? No wonder this country’s so fucked up. There are no factories here anymore!” “Giant Step Backwards” from Keeper, can also be interpreted as a song of love lost.
Doe flew into another Keeper tune, “Never Enough”, which rants about our materialistic society, or as John put it, the “fucked-up-edness of our country” and lists all the junk we have–and how it’s never enough. Although the lyrics are scornful, the upbeat tempo is undeniably danceable.
“This May Be the Last Time” from Dead Rock West’s second album, Bright Morning Stars was introduced by John with, “Nothing is as fearsome as an unhappy partner!” He let Cindy take the lead, and Jesse backed her with lots of bluesy reverb.
Exene wrote the next song on her last record, called “Alone in Arizona” and Doe loved it, so he played it this night. Jesse accompanied with a mood-altering solo to a somber audience. The lyrics are dark and heavy: My heart is blue with losing you / My soul is still losing you / The road is rough, I’m losing you / The sun beats down, I’m losing you
Doe didn’t leave the crowd hanging in the dark for long, and picked up speed again with “Telephone By The Bed” from Freedom Is…with Jesse taking a Billy Zoom punk stance and tight, thumping drums from Eric Hughes.
“The Have Nots”, his ode to the dive bar, was prefaced with the plea, “Take the dive bars back from the fucking hipsters!”
“Golden State” from A Year in The Wilderness was another crowd favorite, made even more special with Cindy Wasserman sharing vocals with Doe. They ended the regular set to more cheers and applause.
They soon returned to the stage as the clapping continued and played the quietly moving “Darling Underdog”, also from A Year in The Wilderness and co-written with Exene.
After the show, John invited the audience to visit with him at the merch table, along with Jesse and Cindy. Jacob and I gathered our things and headed over there immediately. There was only a short line, so we quickly queued up while I pulled out a couple of business cards. I introduced myself to Cindy, who was in charge of merch. She recognized my name from my daily video posts of Doe on Facebook over the last week, and I told her I saw her at Neumos a few years ago with Dead Rock West. She was so friendly and sweet. I also spent a little time chatting with Jesse, who was also charming, and handed him my card. I purchased three CD’s, including John’s 2011 gem, Keeper, another copy of The Best of John Doe This Far (his latest and greatest collection) for a friend, and Jesse’s Tall Texas Tales. Support the independent artists who venture to your city and play small clubs and venues. Support quality music.
John was busy talking to an older gentleman, a few steps away from the merch table. Another woman was awaiting a turn for his signature on a CD. I could feel my nerves set in, but as he patiently listened to the man, he looked up and smiled at me. I’m not sure if that helped settle my nerves or made them worse. Finally, it was my turn. I felt immediately humbled among punk royalty. I was shaking a little, and my shyness seems to paralyze my ability to speak. I’d rehearsed a few lines, but they all went away. Below is what I remember of our brief conversation:
“Hi, I’m with…well, I’m not with anyone, but I am writing about the show tonight for No Depression. I’m Lisa.”
While I said this, I handed him my card, and he shook my hand and said, “Oh, that’s ok, you don’t have to be with anyone. Oh good…Nice to meet you.”
“This is my son, Jacob. He took pictures tonight.” John shook his hand as Jacob smiled.
“Have you been to an X show before?”
“No, I’m a little late to the game, here, but I’ve been studying up, bought some CD’s…” Of course, I failed to mention I’ve been a fan these last four years or so, but also ashamed I haven’t been a fan for the last four decades.
“Well that’s ok, always good to have new people at our shows. A good night tonight. Nice to play in a club with a great acoustics.”
I did ask to get his pic before the other fans came over, and he said, “Sure, come on over here,” and motioned me to step close so he could put his arm around me. It all happened so quickly. It was over in a matter of seconds. Jake took one pic on his phone. Me, all crazy eyed, pointing at him, saying to myself, “Holy shit, I’m getting my pic with John Doe!” I was humbled and thrilled to meet him.
I woke up Saturday morning feeling cooler, somehow, having met John Doe. Thee John Doe. “The best hair in Rock ‘n’ Roll.” Punk Royalty.
My interview of The Sideshow Tragedy posted in No Depression today. Check out the fantastic, insightful responses from frontman Nathan Singleton here: http://nodepression.com/interview/sideshow-tragedy-set-drop-fiery-fifth-album
“Comeover and Jam” with Luther Wright as he finishes his latest album, Hearts and Lonely Hunters. Two preview mixes are available for a listen on the links above. Both songs are addictive and poppy, and I am looking forward to hearing the rest soon! You can also contribute to his campaign to raise money for manufacturing and producing the album, reserve your copy of the album and receive other perks.
- Alan Rickman
- Ann Wilson
- Ayron Jones
- Ayron Jones and The Way
- Benjamin Doerr
- Big Daddy's Place
- Big Sandy
- black crabs
- Bob Dylan
- Brent Amaker and the Rodeo
- Brigitte DeMeyer
- Chateau Ste Michelle
- Church of Betty
- Cindy Wasserman
- Colt Kraft Band
- Columbia City Theater
- Concert Season 2005
- Concert Season 2006
- Concert Season 2007
- Concert Season 2008
- Concert Season 2009
- Concert Season 2010
- Concert Season 2011
- Concert Season 2012
- Concert Season 2013
- Concert Season 2014
- Concert Season 2015
- Conor Byrne
- Country Dave Harmonson
- Cristina Bautista
- Damian Brennan
- Darrell's Tavern
- David Bowie
- David Corley
- Davidson Hart Kingsbery
- Deception Past
- Doug Fir Lounge
- Dudley Taft
- Dusty 45's
- Eddie's Attic
- Emmylou Harris
- Ethan Anderson
- Flight to Mars
- Fox and The Law
- Fremont Music Scene
- George Harrison
- Gimme Shelter
- Hard Rock Cafe
- Harry Belafonte
- High Dive
- Honky Tonk Sweethearts
- Hook and Anchor
- Jack Kerouac
- Jakob Dylan
- Jedd Hughes
- Jesse Dayton
- Jimmy Buffett
- John Doe
- John Mellencamp
- Kasey Anderson
- Langhorne Slim
- Legendary Oaks
- Lori Gras
- Los Straitjackets
- Luther Wright
- Mark Pickerel and His Praying Hands
- Marshall Chapman
- Marymoor Park
- Massy Ferguson
- Murphy's Lagh
- Music in Atlanta
- Nancy Wilson
- Nectar Lounge
- New Mexico
- No Depression
- North Twin
- Old 97's
- Ole Tinder
- Paul McCartney
- Railroad Earth
- Randy Hansen Band
- Redhook Brewery
- Rod Stewart
- Rodney Crowell
- Rolling Stones
- Roots Rock
- Ryan Adams
- Ryan Purcell and The Last Round
- Slim's San Francisco
- Small Sur
- southern culture on the skids
- St. Paul de Vence
- Star Anna
- Star Anna and the Laughing Dogs
- Steve Martin
- Stevie Ray Vaughan
- Tagaris Winery
- TakeRoot Festival Netherlands
- The Avett Brothers
- The B-52's
- The Believers
- The Black Crabs
- The Brambles
- The Cardinals
- The Chris Eger Band
- The David Wax Museum
- The Fonda Theatre
- The Gorge Amphitheatre
- The Gourds
- The Green Frog
- The Hi-Risers
- The Juliettes
- The Outlaws
- The Paperboys
- The Paramount Theatre
- The People Now
- The Puyallup Fair
- The Rainieros
- The Royal Room
- The Satellite 4
- The Shanty Tavern
- The Showbox
- The Sideshow Tragedy
- The Sunmakers
- The Sunset Tavern
- The Swearengens
- The Tractor Tavern
- The Triple Door
- The Wallflowers
- The Wild Feathers
- Todd Snider
- Tom Petty
- Toubab Krewe
- Van Morrison
- Vicci Martinez
- Weird Al Yankovic
- White River Amphitheatre
- Will Kimbrough
- Willie Nelson
- Willie Sugarcapps
- Yellowstone Country Guardians