David Bowie Earthling Tour September, 1997

April 27, 2011 – I dug deep this weekend, down into the archives (i.e., an old file cabinet in the corner of our garage) and found my journal on David Bowie’s Earthling Tour at The Paramount Theatre in Seattle, circa 1997.  I added a few things in brackets, and scanned the old article from The Seattle Times, as well as my tickets and a link to Bowie’s tours at the bottom of the blog.

September 8, 1997

I am a lucky person.  I was one of 3,000 people lucky enough to purchase tickets to the David Bowie concert held in The Paramount Theatre on Sunday [1997].  A few weeks ago I heard an announcement on my favorite radio station, The Mountain, that a big star was coming to play at a small venue.  I listened later that day to find out David Bowie was that star.  I wanted to see him back in 1983 when he played the Tacoma Dome on his “Let’s Dance” tour.  Nobody I knew liked him, so I didn’t go.  When I got to college, my roommate said she had gone to see him, so we were instant friends.  We listened to “Let’s Dance” while standing on our dorm chairs with the door open so everyone could view our silliness!  But I digress…

When the tickets went on sale, I decided not to make the same mistake I made for the Rolling Stones concert (I went to the record store to buy the tickets, and so did 200 other people!), so I went to Payless in Totem Lake.  There were only 4 people in line when I arrived.  We only had to wait about 15 minutes, then the rush began.  Buying tickets [in the old days, before purchasing online] is a stressful activity.  There is such a limited window of time that the tickets are actually available, since the whole state of Washington sells them at the Ticketmaster outlets at the same time.  Three thousand tickets can sell out in minutes.  If a person doesn’t have exact change or hems and haws about their choices, they will be accosted by the people behind them with words like, “Hurry, damn it, before they sell out!”  The choice was either main floor, which was standing room only (The Paramount has fold-into-the-floor chairs for concert events) or two balconies high above the floor.  In a short amount of time I had to decide whether to be comfortable but far away in balcony seating, or be uncomfortable and possibly crushed by getting the main floor tickets.  I quickly made up my mind when I heard the fourth person in line had to settle for Row M on the second balcony.  I looked at the few people in line and made the generalization the crowd would be older and more mature than the moshing crowds at most rock shows, so I might be safe after all.

I asked my co-worker M if she would like to go with me.  Of course, she said yes, because she too is a Bowie fan.  When I told her that I had to buy floor tickets, she had no problem with that.  Good, I thought, I just hope I don’t have a problem with it!  I’m feeling much more mortal now that I have a son.  I don’t feel like being irresponsible and wild anymore.

The night of the concert came.  I was supposed to meet M at her apartment at 5:00.  She was going to cook dinner for me, and then we would leave at 6:00 sharp.  I wanted to get there somewhat early so we could get close to the stage.  I arrived at her apartment with 10 minutes to spare.  She wasn’t close to being ready; she hadn’t even taken a shower yet!  I expected the food to be prepared also.  I didn’t say anything, though, because I knew at this point there was nothing I could do about it.  She made dinner and we talked and talked.  It was actually quite fun and relaxing to just shoot the breeze.  She cooked a great stir-fry.  We ate till we were stuffed.  She still had to take a shower, so I played with her cats.  She was ready in about 20 minutes.

We left her house just after 7:00.  I drove.  Luckily, M knew her way around a little better than I, so we got there in just a few minutes.  We found a place to park (I was amazed; I thought we’d be driving around the block for hours!), right across the street from The Paramount.  When we walked up to the theatre, we saw a large line to the right, but people were also going right in at the front doors.  We decided to just walk right in.  After a search by a female security guard, we were in!  We hit the restrooms and noticed the beautiful tile work and marble all around. It had recently been restored.  I don’t know how old the building is, but it is so ornate [I looked up on their website: 1928].

Once inside, we noticed there were hardly any people crowding the stage, so we joined them gleefully.  I thought we’d be too late, but there were only about 100 people milling around.  I really got excited when I saw how close we were going to be to the stage!  We were only about 15 feet away, just to the left of center stage.  It was only about 7:30 by this time, and we had plenty of time to take in the crowd, the details in the structure, and the stage.

The inside of The Paramount is a glimpse into the past.  I wondered how many people had seen the inside, with its golden walls of intricate details of flowers, designs and patterns.  It’s almost gaudy, yet so beautiful.  It has stunning crystal chandeliers around the sides.  The dome looks like something from a Roman cathedral.  There is an oval in the middle with designs in it.  Circling it are lights that illuminate the whole dome.  It is quite a spectacle.

We weren’t sure what to expect when we saw the stage.  There were three gigantic eyeballs, about 4 feet in diameter, filled with air.  I immediately guessed they would be thrown out into the audience and used as beach eyeballs!  In the background were three large alien-shaped heads without faces which later had images of faces projected on them.  There was a huge sheet draped loosely at the back of the stage used for projecting various videos and images in psychedelic colors.

There was a DJ [DJ Kamikaze] onstage playing some techno-funk style mixes.  The music was very loud.  It started to grate on our nerves after a while, especially when 8:00 rolled around, and the show had not begun.  We waited and waited…the crowd was getting thicker.  We watched as people above in the balcony looked over the edge to find friends down below.  We noticed that we were able to keep our places, without any rude people crowding us out, so far.  By this time, our lower backs and legs were already aching from standing so long in one place.  We kept waiting and listening for a sign of Bowie.  Then I started wondering if he was going to have an opening act.  I thought I would die if I had to stand through another hour before he got on.

Eight forty-five rolled around and still no Bowie.  We then thought that maybe this annoying music was the opening act (as it turned out, it was).  Finally, when our backs could take it no more, the stage grew dark.  The crowd started cheering loudly.  I couldn’t see Bowie come onto the stage because of the tall people in front of me, but I could tell by the crescendo of the noise that he was approaching his microphone.  We whooped and screamed!

I had never been so close to the stage before for such a big-named star!  Wow, we were close!  I had a perfect view of him from the waist up, once he reached the mic.  He immediately smiled and talked to the crowd a little before he began the set.  He threw his acoustical guitar around his neck and said how excited he was to be starting his American tour at The Paramount (we were his first stop in the US!  He did one show in Vancouver, BC a few nights before), and began his show.

He started with an “unplugged” song.  It sounded great.  He looked great, yet I noticed (as did M) that he was starting to show his age a little.  He had just turned 50 this year.  His hair was gelled and spiky, but in a more classy style than in the past.  He had a little goatee also.  He just couldn’t stop smiling [nor could I, as M pointed out after the show!].  He looked like he was really enjoying himself.  His shirt was dark brown with little blue dots all over it.  It was unbuttoned to reveal the top of his chest, adorned with a gold cross.  The sleeves were long but had large, flowing cuffs that looked like lilies hanging from his arms.  The bottom of his shirt had the same blue, only in a thick band that hung loosely down to his hips.  Occasionally his belly button (an innie) could be seen where the shirt wasn’t buttoned at the bottom.  His pants were a shimmering, silver-gray satin.  I only got a glimpse of these when he jumped up on his speaker in front of his mic to dance around a little.  We were so close I could see both of his eye colors.  As he performed, I could see the perspiration under his arms and between his shoulder blades.  We were that close!

The rest of the band was also very interesting.  It consisted of a lead guitar, Reeves Gabrels, who looked like a fifty-year-old himself, bassist Gail Ann Dorsey and keyboardist Mike Garson, all with shaven heads.  The drummer, Zachary Alford was in dreadlocks.  I don’t thinK they could have made him conform!  He was the same drummer for the B-52’s.

We were hoping for more of Bowie’s old music, from the Ziggy Stardust era; but after 30 years of the same thing, I guess he’s probably sick of it.  He did play about 7 songs that I recognized, but the rest were from his new album, Earthling. The music was powerful, clean, and professional.  It ROCKED!  There was only one song about Mother or something that was a bit of a downer.  Most of the songs were fast and hard.  There was an article/concert review in The Seattle Times [see article below] on Monday which listed some of his songs:

The Man Who Sold the World

Jean Genie (one of my favorites, which he did with a bluesy twist in the beginning

Baby What You Want Me to Do

Panic in Detroit

Fashion

Look Back in Anger

Under Pressure (another favorite, originally done with Queen’s Freddie Mercury–the bass player, Gail did an incredible job singing)

Scary Monsters (played in a Johnny Cash style on The Mountain radio station Monday)

Fame

White Light/White Heat

All the Young Dudes (concluding song…awesome!)

From the Earthling album came:

Seven Years in Tibet

Looking for Satellites

I’m Afraid of Americans

Little Wonder

From the album Outside, he played “Hearts Filthy Lesson.”

Throughout the songs, Bowie danced, waved to us, smiled, sang with all of his energy, toyed with the band members, even rubbed his hand over the bassist’s bald head, strutted, pointed at the crowd, etc.  He was extremely entertaining.  At one point, near the beginning of the show, he responded to a guy who had yelled, “How’s Iman?” Bowie’s wife is the exotic African model.  He responded, “Oh, the wife’s fine, fine…and yours?  How’re the kids?”  Everyone laughed, including Bowie.  He also belted out some great sax music with an alto and baritone sax as accompaniments to a few songs.

Near the end, he and the band left the stage to ready themselves for the encore (we knew he would be back; the house lights didn’t come on).  As the crowd cheered him back, he sashayed up to the stage, cigarette in hand and said, “Oh, sorry, we just had to step out for a cigarette!”  They played another four or five songs before finally saying goodbye.  It was so exciting to see such a big star and influence on rock/pop/punk music in such a small venue as The Paramount. [I also distinctly remember two teenage boys and a very tiny teenage girl next to us who were completely awestruck, even more so than we were.  They couldn’t believe how close they were.  The girl climbed on the shoulders of one of the boys to see over the tall crowd.  The smile on her face was priceless.]

Monday morning, back to work.  M and I stole our manager’s portable radio and listened to The Mountain’s live broadcast of Bowie in their “Mountain Music Lounge.”  Of course, he was a half hour late!  I missed part of the interview because the phone kept ringing, but then they repeated the show the next night.  He was very funny.

A handful of listeners got to have their questions read aloud by the DJ and answered by Bowie.  One listener got a little too “deep.”  She asked about his various “masks” he wears for society, and if these are part of his persona or a way to hide his inner self from the public, or something to that effect.  He laughed as the question was being read, and said, “Oh, you’ve got to be kidding!”  Then he answered in a very cockney accent, “Well, the only mask oy wear is when oy go out on Sunday mornings to get me Sunday paper and some cigarettes.  Yes, it’s a mask of Michael Jackson.  People look at me funny when I wear that, what with Michael’s head and my white hands.  You see, oy have to wear it because oy don’t have my usual entourage about me!”  Everyone was cracking up!

Someone else asked him about his various movie roles, and which one he prepared for the most.  He said he read everything he could about The Elephant Man when he was offered the role.  He said he even looked at the remains, but didn’t offer to buy them as Michael Jackson did (laughter).  He played the part of Andy Warhol in Basquiat recently.  He did an excellent job, except he said it was an “English” Andy; he didn’t have the American accent down very well, but the body movements were right on.  I thought he did a superb job in The Man Who Fell To Earth, and more recently, Merry Christmas Mr. Lawrence.  Great movies.

Reeves, his guitarist, was also funny.  Bowie mentioned that when they were on the little underground train at the airport, Reeves set his hat on the floor and played some tunes.  Someone gave him seventy-five cents.  I don’t know if that’s true, but I wouldn’t doubt it would happen in this town!

Bowie also mentioned that on his first stop in Vancouver, he knew he was in for a long tour when he met the limo driver.  Bowie had whispered to Reeves while walking toward the car, “Hey, I bet that guy in the Mormon suit is our driver!”  It was indeed, and Bowie then mimicked the driver in a funny Canadian accent: “Hi, uh, my name’s Steve.  I’m yer driver tonight.  I didn’t know you were a big rock star, eh.  I grew up with yer music.”  In which Bowie replied, “Oh yeah?  Then who am I?’  And the driver said, ‘Uh, the car is over here…’ And so began our tour,” laughed Bowie.

Here’s the scanned Seattle Times article by Patrick MacDonald:

Bowie

1997 Tour Dates/Venues:

http://www.bowiewonderworld.com/tours/tour97.htm

Bob Dylan at the Paramount Theatre 3.9.2005

Bob Dylan

Wednesday, March 9, 2005

Opening: Amos Lee and Merle Haggard

What about Bob?  Bob is someone everyone who loves music should see at least once.  Bob is an American Icon.  He is an artist who truly has an independent soul and doesn’t give a crap what anyone has to say about his music.  He went electric and freaked out the folkies.  He’s done pop, folk, Christian, rock, Americana and country.  His lyrics are masterpieces in poetry.   He continually evolves his style and continues to stay interesting and fresh, although his vocals are progressively disintegrating . 

Bob was on my list of artists to see before they (or I) die.  Our friends wanted to go, too, so I purchased 4 tickets, 11th row for the Wednesday show.  He played  three sold-out shows at the Paramount. 

We met our friends downtown at Pacific Place, about a block away from the Paramount.  We ate some appetizers at Gordon Biersch in the mall.  We also had fantastic drinks. 

We walked down the block and right in to the Paramount, saw P’s boss and his son by chance, found our seats and the lights dimmed.  Perfect timing!

Amos Lee opened the show.  He’s an upcoming folk/blues guitarist and has a voice like an angel.  He brought along a very talented yet small band:  a young man who played keyboard, guitar, mandolin and trumpet; a drummer; and a stand-up bass player.  Amos stuck to the acoustic guitar.  He played less than 1/2 hour, but had a nice, smooth set.  We immediately bought his CD after the show. 

Next came Merle.  He played the only song I knew, “Okie from Muskogee”, saying at first, “You don’t want to hear that!”  I read the article from Patrick MacDonald of the Seattle Times who listed the other songs he played: “Silver Wings,” “Lucky Stars,” “Mama Tried” [later covered by The Old 97s].  He was all class.  I felt like I was at the Grand Ole Opry!  His eight-piece band was tight, and had a classic country flair with some rock-a-billy mixed in.  Merle wore a rhinestone-studded guitar strap with his name spelled out down the strap.  P said something about his wife making that for him down at the senior center, and that it also works as a belt!  P really enjoyed him, though.  We would definitely see him again.  It would be a treat to see him with Willie Nelson sometime. 

During the intermission, we got some water in the lobby.  We had fun people-watching.  Our friend said, “Hey, look!  It’s Prince!”  We got a kick out of this guy who must have spent two hours on his hair alone, and then another hour on his eye makeup.  He had jet-black hair, all done up on top and curled with wide curls, then spiked over his brow and ears.  he had a Prince-ly long jacket and strutted around the lobby with his punky friends.   There were several “pie-eyes” in the crowd as well.  The main level, near the back of the theatre, was thick with smoke by the time Bob was ready to play.

We found our seats again and waited with great anticipation for Bob.  His six-piece band was also very classy and sharp, with matching old-timey suits and Bob in his “riverboat gambler” suit.  The band included a stand-up electric bass, steel guitar, excellent violinist, as well as rhythm and bass guitars.  Instead of playing center stage, Bob was, unfortunately on the left side, opposite of us.  It was hard to see him, even though we had good seats.

The other thing that impeded my view was a dorky Elaine-On-Seinfeld dancing girl who kept standing up solo and doing a quirky side-to-side dance.  She was directly in my line of sight to Bob.  I was pissed.  Everyone around her was seated.  It wasn’t as though Bob would notice her, as he never seemed to acknowledge that he was playing in front of a live audience.  Since I was still a little tipsy from my cosmos and feeling brave, I warned P that I was going to tell her to sit down.  I stooped low into the aisle and said to her, “Excuse me, although you’re a good dancer, would you please sit down so we can see the show?”   She mumbled something and sat down.   She not only sat down, but she slouched way down in her seat, with her head against the top of the chair back.  P said, “Aww, you’ve broken her spirit!”  I laughed, but was happy to be able to see the stage and Bob again.  I apparently didn’t break her enough, though, because she stood up again and started dancing sporadically and spastically when she recognized some song from 30 years previous (even though she was only about 20).  In between those songs, she would slouch.  Too funny!

Although I was happy to go to the concert, and that our friends were with us, we were all disappointed in the fact that we could only understand about a paragraph of words and phrases of all the lyrics put together from all of the songs he played that night.  He also changed his set list from the review I read on Monday night’s show.  Missing were Tambourine Man, Like A Rolling Stone, All Along the Watchtower.  I did recognize Highway 61 and Just Like a Woman.  Most of the songs were either brand new or off his 2001 CD or ones I just didn’t recognize from the past.  I know more of his older music than his more recent material.  That being said, the full band was amazing.  They really worked the show.  It was very upbeat and charged with energy, but we literally could not understand him!  This made it very difficult to get into what I’m sure were great lyrics.  He whined and mumbled though every song.  We would laugh out loud at the end of the songs, sharing words we could understand.  P said, “I heard the word ‘guillotine'”  Our friend heard “Christmas”.  I knew Bob would mumble; that’s his trademark voice.  It’s definitely deteriorated over the years.  If I would have recognized the songs, at least I would have known what he was trying to convey in his music.  It was a bummer.  We felt we were watching a band from a foreign country.  Bob made Tom Petty sound like a public speaker!

Overall, we had a wonderful time chatting with our friends and going out and seeing a music legend.  P was much more comfortable having friends there.  I told him at the end, “Wow.  We saw Bob.  I can cross that one off the list of concerts to see!”  He sheepishly looked at me and said, “How much more torture are you going to put me through?”  I laughed, but I knew he was serious!

The Avett Brothers at the Paramount 07.18.10

The Avett Brothers

We had a nice evening of food, conversation and music on Sunday evening.  We would have loved to stay across the street at the Paramount Hotel, but we needed to get home and go to work the next day.  We’ll bank that for a fall or winter retreat.  We drove in to Seattle about 6:00 and quickly found a little covered parking area east of the freeway on Pike.  We then hoofed it back toward the Paramount Theatre.  On the way by the theatre, I checked out the tour bus parked outside and happened to see The Boys walking toward it!  I was holding P’s hand and pulled hard to make him stop a moment.  He said he felt like he had a big fish on the line! There’s the band!! The light turned, and we had to keep moving to get across the street.  I had a fleeting feeling of running up the sidewalk and getting their autographs.  But alas, my shyness and sensibility prevailed. 

We decided to get some dinner at Von’s.  Our first choice was Machiavelli’s, a little Italian restaurant right next to the Baltic Room, but it was closed on Sunday.  Bummer!  Von’s was a good second choice.  They have some serious home-style grub.  I settled for a thick, open-faced turkey sandwich (the turkey was roasted and carved that day) with brown gravy and potatoes.  There was also broccoli and cranberry sauce on the plate.  P ordered a teriyaki pork dish, but it was a very small portion for him.  I shared some of my thanksgiving meal with him.  I also ordered a pomegranate cosmo and P had his usual Manny’s. 

Next to us (the tables were very close together) was a couple from Brussels.  P started up a conversation with them and they said they’d just arrived from an Alaska cruise.  They went on the same cruise we did a few years ago, so we compared stories.  They were nice and were happy to talk to some Seattleites.  

After they left, we met a couple from Nashville who had been up to Vancouver on business, then were taking a few days to explore Seattle.  They enjoyed it, but we made sure to point out that it rains here all the time!  We want to go to Nashville someday, so they told us about a bar we should visit called Tootsie’s.  They hadn’t heard of our favorite Nashville bands (Todd Snider and the Nervous Wrecks, Daddy, etc.) but we were interested in anything they knew about the city.  We gave them tips on touring Seattle. 

It was time to go to the show.  There was an opening band, and I wanted to make sure we didn’t miss a minute.  

Thao and the Get Down Stay Down

The opening band, Thao and the Get Down Stay Down was interesting and extremely sexy.  The lead singer was Asian- American, with long, layered locks, toned legs pushed into cute cowboy boots and a shimmery gray dress cut just below the butt.  She played a hollow body Gibson with lots of head-banging and jerking motions.  P forgot there was music playing for a few moments!  She was accompanied by a violinist (much more demure than she) and a drummer who played just about every percussion instrument during the show, including a tiny triangle during one song.  She also had a skinny, young bass player who kept the beat alongside the drummer.  Her voice reminded me of Beth Orton or KT Tunstall.  More female artists are going that somewhat annoying, yelping, Oh, Oh style, but it worked for her.  Her music was pop, rockabilly, pretty cool stuff. 

After a long wait in the restroom line, we got back to our seats sans water (the water line was ridiculous with only one concession stand for 3,000 people) and waited impatiently for the Avetts.  The crowd got restless and started clapping and chanting for the boys to come out and play.

Folk/Punk.  Only the Avett Brothers can take a perfectly good five string banjo and punk the hell out of it and bounce all over the stage!   Only the Avett Brothers can head bang with their cellist!  They can harmonize like the Oak Ridge Boys or scream like the Sex Pistols.  They are such an enigma.  Are they Folk? Americana? Punk? Bluegrass? Pop? Yup.  And they’re just…dreamy!  Such an entertaining night of music.   

The Avetts played most of the songs from their new album, I and Love and You.  It’s a little more mellow and more pop than some of their previous stuff, and also features a keyboard throughout.  They kicked it up a notch live, and brought the audience to their feet for the entire show.   They played a few of my old faves including “I Killed Sally’s Lover,” but beyond their live CD from 2005, I didn’t recognize other songs.  That was ok though, because each song was worthy of our attention.  I plan to pick up more albums soon.  Add them to the list.

flickr pics from Hilary Harris: http://www.flickr.com/photos/hilaryharris/sets/72157624540121692/show/

Here’s what the Seattle Times had to say:

http://seattletimes.nwsource.com/html/musicnightlife/2012395372_avettreview20.html

[9/2010 – Update–I have since picked up their latest CD, I and Love and You and have fallen in love with them all over again.  I can’t seem to eject  it from my CD player in the car!  Check out the song “Laundry Room” to put you in a seriously romantic and nostalgic mood.  Dreamy, I say.]

www.theavettbrothers.com

The Avett Brothers

The Avett Bros. are coming to the Paramount Theatre in Seattle July 18! My dear husband just purchased pre-sale tix. Eighth row. He is the man.

Ryan Adams and the Cardinals January 2008

January 26, 2008

Ryan Adams and the Cardinals

Paramount Theatre

P and I enjoyed Ryan Adams and the Cardinals on Sat, our first show of 2008. We stayed in the Paramount Hotel, right across the street from the Paramount Theatre. This was quite a fun night. Ryan was right up there with Todd Snider on the laugh-out-loud scale. Really funny guy, extremely talented and very entertaining.

After a very short ride into Seattle, we pulled up to the Paramount Hotel and P went in the lobby to check in. As I was waiting in the truck (wishing I were in the Mini) here came the whole band out the front doors, making their way to the theatre for a sound check! I almost peed a little! Had I any nerve I would’ve jumped out of the truck and had them sign my CD that was right there in the console! Damn! And no sharpie! Ryan looked right in the truck at me, so that was cool. I’m such an almost-groupie.

I’ve liked Ryan since the days of Whiskeytown, and am enjoying his latest album, Easy Tiger. Ryan and the band put on a terrific show. He’s such a quirky character, but the rest of the talented band seemed patient and knew when to wait for him to calm down, light his cigarette, have a little chat with the audience, etc.

He was very eager to involve the audience in his show. He even made a digital “movie” with his camera and requested that we all stand up and act like zombies, then put our hands on our heads to form “eyeballs” <*> and chant something like, “All Cardinals Activate!” It was crazy! And in between all the jokes and interruptions and a short intermission (he told us to have a smoke or take a 5-minute poo) the music was a phenomenal mix of old and new music from his prolific library, alt-country to Zeppelin-infused psychedelic rock, as well as a cover of Alice In Chains.

An amazing night, and perfect first-concert-of-the-year weekend! Oh, and the best line of the night…someone yelled out for him to play “Summer of 69” (Bryan Adams! Which is funny, because I had to keep explaining to people including my guitar instructor that I was seeing RYAN not BRYAN) and so he yelled back, “Hey, I heard you talking about that Summer of 69 dude from Canada. It’s YOUR Karma, dude, not mine!”